Bangladeshi artists excite at Bangla Utshab on Day 2

Rabindharanth Tagore, in his ageless melody Krishnakoli Ami Tarei Boli talked about a delightful dim cleaned young lady, to who a writer may ask, Kalo? Ta Shey Jotoi Kalo Houk; Dekhechhi Taar Kalo Horin Chokh. This symbolism was enlivened by the eminent Bangladeshi vocalist Bulbul Islam on the second day of the Bangla Utshab, held at Nazrul Mancha, Rabindra Sarobar in Kolkata, India.

Bangladeshi tabla artiste Enamul Haque Omar and Indian flute player Bubai Nandi further adorned the melody, creating adept melodic pieces to suit the phenomenal shutting day. The artist likewise hypnotized the gathering of people with melodies Tumi Sondhar O Megho Mala and Shongshoyo Timiro Majhe.

Acclaimed Indian Singer Jayati Chakraborty won hearts of numerous with her version of Tagore melodies. The emotive articulation of a captivated heart, which is the center of the tune, Amar Ei Poth Chawatei Ananda, woke up with Jayati's enchantment. Her voice mitigated the group of onlookers, as she sang Borisho Dhora Majhe Shantiro Bari. The artiste wrapped up her part with the melody Bipulo Torongo Rey. Indian artist Gautam Das Baul delightfully performed society tunes at the celebration.

Prepared Tagore artist Aditi Mohsin charmed the gathering of people with tunes like Tomaye Gaan Shonabo and Je Raate Mor Duarguli, while eminent artiste Laisa Ahmed Lisa rendered tunes created by four incredible writers – Tagore, DL Roy, Atul Prasad and Rajanikanta. Her collection included Chitto Pipashito Rey, Jagao Pothikey and Ami Bandhinu TomaTeerey.

Observed Bangladeshi vocalist Khairul Anam Shakil and renowned Indian artiste Indrani Sen rendered Nazrul Sangeet at the celebration, to be specific Tomar Aankhir Moto, Keno Aano Phulodor,Ei Moru Parer Hawa and Pashaner Bhangale Ghum, a melody which Kazi Nazrul Islam himself recorded. He likewise splendidly played out the tune Mago Chinmoyi Roop Dhorey Aaye. Indrani's version of the Shyama Sangeet Mahakaler Kole Eshe Gouri Holo Mahakali was all around refreshing by everybody too.

Prominent artist and painter Iffat Ara Dewan rendered brilliant numbers Tomar Tulona Tumi Pran by Ramnidhi Gupta, usually known as Nidhu Babu. She made a nostalgic atmosphere with the execution of the tunes Badhona Torikhani, Hridoyer Potey Tomar Muroti, Dekha Holey Ei Obelaye, recorded by the amazing artists Angur Bala, Indu Bala and Kamola Jhoria individually.

Surely understood people vocalist Chandana Majumdar astoundingly performed tunes Manush Chhara Khyapa Rey Tui, Joley Jaiyo Na Rey Rai and Jatikul Joubon Diyachhi, formed by Lalon, Radharaman and Shah Abdul Karim individually. She likewise sang the film (Monpura) score Jao Pakhi Bolo Tare, which earned her the National Film Award.

As the works of art, the individuals from the Bangladeshi band Chirkutt, influenced the group of onlookers with their prevalent tunes Morey Jabo, Jadur Shohor, Kanamachhi and Dunia. They began off their part with the energetic number Dhono Dhanno Pushpe Bhora starting with the instrumental offering of our National Anthem that precipitously got an overwhelming applause from the group of onlookers. The little, yet intelligent group of onlookers, including famous craftsman Jogen Chowdhury and Bengal Foundation Chairman Abul Khair sang alongside the band.

Bengal Group, Bandhan Bank, The Bengal Chamber of Commerce and Industry and Nothing Beyond Cinema mutually sorted out the celebration.